{"id":2294,"date":"2023-09-29T05:24:00","date_gmt":"2023-09-29T05:24:00","guid":{"rendered":"https:\/\/www.museum.de\/blog\/?p=2294"},"modified":"2023-09-29T05:53:32","modified_gmt":"2023-09-29T05:53:32","slug":"die-postmoderne-1967-1992-in-der-bundeskunsthalle","status":"publish","type":"post","link":"https:\/\/www.museum.de\/blog\/die-postmoderne-1967-1992-in-der-bundeskunsthalle\/","title":{"rendered":"Die Postmoderne 1967 \u2013 1992 in der Bundeskunsthalle"},"content":{"rendered":"\n

Die Ausstellung „Anything Goes<\/strong>“ in der Bundeskunsthalle<\/a> in Bonn pr\u00e4sentiert die Vielfalt und Exzentrik der Postmoderne in den Bereichen Design, Architektur, Mode und Popkultur. Das herausragendste Exponat der Ausstellung ist die Bundeskunsthalle selbst, ein Geb\u00e4ude, das vom Architekten Gustav Peichl entworfen wurde. Obwohl Peichl sich nicht als Postmoderner betrachtete, zeigt seine Distanzierung von den Konventionen der Moderne die Skepsis gegen\u00fcber Universalismus und Funktionalit\u00e4t, die ein Grundprinzip der postmodernen Gestaltung darstellt.<\/p>\n\n\n\n

Die Ausstellung bietet einen chronologischen \u00dcberblick \u00fcber die Jahre 1967 bis 1992 und zeigt Entwicklungen in verschiedenen Bereichen wie Kunst, Design, Architektur, Mode, Medien, Musik, Literatur, Politik, Film, Technologie und Wissenschaft. Beginnend mit Musikvideos, die den Geschmack und die Atmosph\u00e4re der Zeit reflektieren, pr\u00e4sentiert die Ausstellung eine breite Palette von Exponaten, darunter M\u00f6bel, B\u00fccher, Modeentw\u00fcrfe, Architekturmodelle, Manuskripte sowie bahnbrechende Kunstwerke der Pictures Generation, zu der K\u00fcnstler wie Sturtevant, Barbara Kruger, Louise Lawler, John Baldessari und Sherrie Levine geh\u00f6ren.<\/p>\n\n\n\n

Die Ausstellung setzt diese vielf\u00e4ltigen Exponate in einen Kontext und stellt pointierte Fragen zur Gegenwart. Sie beleuchtet die Postmoderne als Zeitraum, in dem sich bedeutende gesellschaftliche Br\u00fcche wie die Abwendung von politischen Bewegungen, die Digitalisierung und die Verschiebung der Realit\u00e4t in die Medialit\u00e4t abzeichneten. Dar\u00fcber hinaus erm\u00f6glicht die Ausstellung eine kritische \u00dcberpr\u00fcfung von Annahmen und Vorurteilen \u00fcber die Postmoderne und stellt die Frage, ob diese Epoche vorbei ist oder ob wir immer noch von ihren Einfl\u00fcssen gepr\u00e4gt sind.<\/p>\n\n\n\n

Alles auf einmal: Die Postmoderne, 1967\u20131992
29. September 2023 bis 28. Januar 2024<\/strong><\/p>\n\n\n\n

    \n
  1. <\/li>\n<\/ol>\n\n\n\n

    Quelle:
    https:\/\/www.bundeskunsthalle.de\/postmoderne.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

    Die Ausstellung „Anything Goes“ in der Bundeskunsthalle in Bonn pr\u00e4sentiert die Vielfalt und Exzentrik der Postmoderne in den Bereichen Design, Architektur, Mode und Popkultur. Das herausragendste Exponat der Ausstellung ist die Bundeskunsthalle selbst, ein Geb\u00e4ude, das vom Architekten Gustav Peichl entworfen wurde. Obwohl Peichl sich nicht als Postmoderner betrachtete, zeigt seine Distanzierung von den Konventionen […]<\/p>\n","protected":false},"author":1,"featured_media":2296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[125,1],"tags":[58,223,198,222],"class_list":["post-2294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","category-redaktion","tag-ausstellung","tag-bonn","tag-bundeskunsthalle","tag-postmoderne"],"yoast_head":"\nDie Postmoderne 1967 \u2013 1992 in der Bundeskunsthalle - Der Museumsblog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.museum.de\/blog\/die-postmoderne-1967-1992-in-der-bundeskunsthalle\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Die Postmoderne 1967 \u2013 1992 in der Bundeskunsthalle - Der Museumsblog\" \/>\n<meta property=\"og:description\" content=\"Die Ausstellung „Anything Goes“ in der Bundeskunsthalle in Bonn pr\u00e4sentiert die Vielfalt und Exzentrik der Postmoderne in den Bereichen Design, Architektur, Mode und Popkultur. 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